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Sinking into the cushioned embrasure of the window, Mona sits entranced, drinking in the beauty that is balm to her imaginative mind. The two dogs, with a heavy sigh, shake themselves, and then drop with a soft thud upon the ground at her feet,—her pretty arched feet that are half naked and white as snow: their blue slippers being all too loose for them., When she is gone, Geoffrey walks impatiently up and down the small hall, conflicting emotions robbing him of the serenity that usually attends his footsteps. He is happy, yet full of a secret gnawing uneasiness that weighs upon him daily, hourly. Near Mona—when in her presence—a gladness that amounts almost to perfect happiness is his; apart from her is unrest. Love, although he is but just awakening to the fact, has laid his chubby hands upon him, and now holds him in thrall; so that no longer for him is that most desirable thing content,—which means indifference. Rather is he melancholy now and then, and inclined to look on life apart from Mona as a doubtful good., It is dreary waiting. No sleep comes to her eyes; she barely moves; the dogs slumber drowsily, and moan and start in their sleep, "fighting their battles o'er again," it may be, or anticipating future warfare. Slowly, ominously, the clock strikes twelve. Two hours have slipped into eternity; midnight is at hand!.